A list of Pin@y Writings
NOVELS
Apostol, Gina. Bibliolepsy. U.P., 1997.
Babst, Arlene. Xeniteia. National, 1982.
Batacan, F.H. Smaller and Smaller Circles. U.P., 2002.
Brainard, Cecilia. Song of Yvonne. New Day, 1991. [The Day the Rainbow Goddess Wept, Plume, 1995]
Casper, Linda Ty. Awaiting Trespass. New Day, 1989.
__________. Dread Empire. Heinemann, 1982.
__________. Dream Eden. Ateneo, 1997.
__________. Fortress in a Plaza. New Day, 1985.
__________. The Hazards of Distance. New Day, 1981.
__________. The Peninsulars. Bookmark, 1964.
__________. A Small Party in the Garden. New Day, 1988.
__________. The Stranded Whale. Ateneo, 2002.
__________. Ten Thousand Seeds. Ateneo, 1987.
__________. Wings of Stone. New Day, 1990.
Chai. Arlene. The Last Time I Saw Mother. Fawcett Columbine, 1997.
__________. Eating Fire and Drinking Water. Review. 1998.
Castillo, Erwin. The Firewalkers. [Anvil, 1992]; U.P., 2003.
Dalisay, Jose. Killing Time in a Warm Place. Anvil, 1992.
Daroy, E. Vallado. Hazards of Memory. New Day, 1992.
Enriquez, Antonio. The Living in the Dead. Giraffe, 1994.
__________. Subanons. U.P. 1998.
__________. Surveyors of Liguasan Marsh. [Univ. of Queensland, 1981] A. Ruby/ARE, 1991.
Enriquez, Mig Alvarez. Devil Flower. National. 1977.
__________. House of Images. New Day, 1993.
Galang, Zoilo. A Child of Sorrow. [1921] PECO, 1924.
Gamalinda, Eric. Confessions of a Volcano. Anvil, 1990.
__________. The Empire of Memory. Anvil, 1992.
__________. My Sad Republic. U.P. 2000.
__________. Planet Waves. New Day, 1989.
Garrido, Wilfredo. Stolia. New Day, 1983.
Gil, Lakshmi. The Third Infinitive. Tsar, 1993.
Gonzalez, NVM. The Bamboo Dancers. Benipayo, 1960.
__________. A Season of Grace. Benipayo, 1956.
__________. Winds of April. U.P., 1998.
Groyon, Vicente. Sky Over Dimas. DLSU, 2003.
Hagedorn, Jessica. Dogeaters. Pantheon, 1990.
__________. Gangster of Love. Houghton Mifflin, 1996.
Hidalgo, Cristina Pantoja. Recuerdo. U.P., 1996.
__________. A Book of Dreams. U.P., 2001.
Holthe, Tess Uriza. When the Elephants Dance. Crown, 2002.
Ilio, Dominador. Guerrilla Memoirs. 1993.
Infante, Eddie. Affairs. New Day, 1984.
Javellana, Stevan. Without Seeing the Dawn. (1947) Phoenix, 1976.
Joaquin, Nick. Cave and Shadows. [National, 1983] Anvil, 2003.
__________. The Woman Who Had Two Navels. Regal, 1961.
Jose, F. Sionil. Ermita. Solidaridad, 1988.
__________. Gagamba. Solidaridad, 1991.
__________. Mass. Solidaridad, 1979.
__________. My Brother, My Executioner. New Day, 1979.
__________. Po-On. Solidaridad, 1984.
__________. The Pretenders. Solidaridad, 1962.
__________. Tree. Solidaridad, 1978.
__________. Two Filipino Women. Solidaridad, 1981.
__________. Viajero. Solidaridad, 1993.
Kalaw, Maximo. The Filipino Rebel. [1927] Filipiniana, 1964.
Laya, Juan, His Native Soil. [1940] Kayumanggi, 1972.
__________. This Barangay Inang Wika, 1950.
Lim, Paulino. Tiger Orchids on Mount Mayon. New Day, 1990.
__________. Requiem for a Dying Priest. New Day. 1996.
Linmark, Rinehart Zamora. Rolling the R’s. Kaya, 1995.
Madrid, Renato. Devil Wings. Ateneo, 1997.
__________. Mass for the Death of an Enemy. Ateneo, 2001.
Miraflor, Norma. Island of Wives. Mediamasters, 1994.
Moore, Lina Espina. The Honey, the Locusts. New Day, 1992.
__________. Heart of the Lotus. Solidaridad, 1970.
__________. A Lion in the House. New Day, 1980.
Nakpil, Carmen Guerrero. The Rice Conspiracy. Vessel, 1990.
Nolledo, Wilfredo. But for the Lovers. [Dutton, 1970] Dalkey, 1994.
Ong, Charlson. Embarrassment of Riches. U.P., 2000.
Ong, Hau. Fixer Chao. Farrar-Strauss, 2000.
Polotan, Kerima. The Hand of the Enemy. [Regal, 1961] U.P., 1998.
Realuyo, Bino. The Umbrella Country. Ballantine, 1999.
Reyes, Gracianus. Death in the Cordilleras. New Day, 1988.
__________. The Uncommitted. New Day, 1986.
Rosca, Ninotchka. State of War. [Norton] Phil. Edition, National, 1988.
__________. Twice Blessed. [Norton] Phil. Edition, IWS, St. Scholastica/ Gabriela, 1988.
Salanga, Alfrredo (and Romulo Sandoval). The Birthing of Hannibal Valdez (in two languages). New Day, 1984.
Santos, Bienvenido. The Man Who (Thought He) Looked Like Robert Taylor. New Day, 1983.
__________. The Praying Man. New Day, 1982.
__________. Villa Magdalena. New Day, 1965.
__________. The Volcano. New Day, 1965.
__________. What the Hell For You Left your Heart in San Francisco? New Day, 1987.
Sering, Tara F.T. “Getting Better,” Reconnaissance. U.P., 2003.
Skinner, Michele. Mango Seasons. Anvil, 1996.
Talag, Michele. The Sanchezes of Old Manila. National, 1978.
Tiempo, Edith. The Alien Corn. New Day, 1992.
__________. A Blade of Fern. [Heinemann, 1978] Giraffe, 1998.
__________. The Builder. Anvil, 2003.
__________. His Native Coast. [New Day, 1979.] U.P., 2000.
__________. One, Tilting Leaves. Giraffe, 1995.
Tiempo, Edilberto. The Cracked Mirror. New Day, 1984.
__________. More than Conquerors. 1964.
__________. The Standard Bearer. New Day, 1985.
__________. To Be Free. New Day, 1972.
__________. Watch in the Night. Archipelago, 1953.
Uranza, Azucena Grau. Bamboo in the Wind. Vera-Reyes, 1990.
__________. A Passing Season. New Day. 2002.
Yuson, Alfred. Great Philippine Jungle Energy Café. [Adriana, 1988] U.P., 1996.
__________. Voyeurs and Savages. Anvil. 1998.
Sunday, March 14, 2004
for the SO
i am in love with a woman
who wields a sword as if
she was breastfeeding her child.
her stare reveals the many spirits
communing within her flesh.
they celebrate their lives
through her halad.
every strike a breath
every parry a laughter.
desire played a role in my life once
but now the heart skips,
flutters at the thought of her smile.
i am in love with a woman
who wields a sword as if
she was breastfeeding her child.
her stare reveals the many spirits
communing within her flesh.
they celebrate their lives
through her halad.
every strike a breath
every parry a laughter.
desire played a role in my life once
but now the heart skips,
flutters at the thought of her smile.
Tuesday, March 09, 2004
Patrick Rosal
I finally figured out what it is about Patrick Rosal and why he is one of the vanguard of the golden age of Pin@y culture in America:
He's a slam poet but he is not the typical slam poet of MTV. There is a complexity to his poetry that is unmatched by other slammers. He is a true poet living in a slam poet's body.
I finally figured out what it is about Patrick Rosal and why he is one of the vanguard of the golden age of Pin@y culture in America:
He's a slam poet but he is not the typical slam poet of MTV. There is a complexity to his poetry that is unmatched by other slammers. He is a true poet living in a slam poet's body.
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